 The Vegas Pro 11 collection combines the power of Vegas Pro with the elegance of DVD Architect to provide a dynamic and efficient environment for video and broadcast professionals. With extensive format support, unmatched effects processing, superior audio support, and a complete array of editing tools, Vegas Pro 11 gives you the creative freedom you need to produce projects with outstanding results.
Order Vegas Pro 10 now and get a FREE Upgrade to Vegas Pro 11 direct from SONY. In order t
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 Videoguys.com is family owned and operated and has proudly served videographers, producers and instructors like you for more than 25 years. For three generations, they have been shooting footage of their growing families and have spent countless hours editing. They actually install and use the equipment they sell and love to share their experience and expertise with you.
Videoguys can help you get the BEST video editing solution for YOUR needs... at special academic discounted prices that
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 Now is the time to upgrade your NLE to the very latest version. Often times our customers do not realize that they may qualify for an even better deal. That is why we've put together this NLE upgrade Matrix, so that you can find the right upgrade for you based on the software you already own. because we run different promotions and upgrade prices can change, we have used the MRSP price for this chart. Click through the part number for our pricing and to order.
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 Red Giant today announced the release of Trapcode Suite 11. Designed by Peder Norrby, Trapcode’s original creator, Trapcode Suite 11 is a major upgrade to the industry standard VFX tool set for high quality broadcast design and 3D motion graphics.
With this release, Trapcode Suite 11 includes a new release of Form 2, featuring full support for OBJ files, enabling artists to import OBJs directly into After Effects for significantly enhanced 3D modeling and design. Trapcode Suite 11 also in
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Avid listens to their customers.
A few years ago Avid did something unprecedented in our industry that many editors may have forgotten about. They took their show on the road. It wasn't actually a road show as much as it was a chance for their top management to visit with post-houses, professional editors, indie film makers and user groups. They asked what Avid needed to fix and when they asked for honest feedback, they sure got it! What did Avid do with this information? They used
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 When Adobe Premiere Pro CS 5 was launched more than two years ago, the message was clear that Adobe was taking Premiere Pro into the professional market segment. This is not your father's Adobe Premiere, it is a powerful NLE designed to handle the most challenging professional projects. They were the first NLE developer to commit to an all new 64-bit architecture and native HD format support. Adobe harnessed all of the power in your computer, multiple CPU cores, huge amounts of RAM and even you
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Sony Upgrade and Crossgrade from Most Editing Software for Under $300 plus... TWO Special Videoguys Bundles to choose from!
ATTENTION DSLR VIDEOGRAPHERS: Upgrade Your Audio
with Samson ZOOM Digital Recorders & Sync Seemlessly On Your Timeline with Singular Software
Professional Video Storage RAID Arrays from Glyph Production Technologies Are Recommended by Videoguys.com
Introducing the NEW Avid Studio Movie Production Software
VIDEOGUYS FEATURED PRODUCTS FOR TAPELESS AC
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 Got Final Cut? Get Media Composer for Just $995
If you’re not getting what you need to succeed—or you’re a former Avid user who switched (we’d love to have you back)—we want to help make your choice easier. That’s why we’re offering Final Cut Pro (excluding FCP X) users another opportunity to purchase Media Composer 5.5 (with the Production Suite) for just $995 USD—that’s over 60% off the regular price! What’s more, you’ll get free Avid Media Composer for Final Cut Pro Users online training
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 Q: What are the latest trends you're seeing in production and post production?
A: The biggest trend in Post Production is the decision that many Apple Final Cut Pro editors are faced with, now that FCPX is available. We are spending a lot of time talking to our customers about the many options available to them. Adobe and Avid are both offering special "switcher" or "crossgrade" promotions with discounts at 50% or more. We've seen great interest from all levels of customer’s especially po
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 Glyph RAIDs have been a favorite of professional audio producers and musicians for years and are built with the speed and reliability to handle video as well. In fact, we have been using Glyph RAIDs with Adobe CS5.5, Avid Media Composer 5.5, Avid ProTools, Sony Vegas Pro, Grass Valley EDIUS 6 and more!
Whether you're looking for an affordable and reliable RAID solution like the GT062E, a portable RAID for a laptop workstation like the PORTAGIG62, or a protected RAID with hot-swappable driv
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 It has been a very exciting summer, as the industry and editors react to the release of FCPX. You can keep up with all the latest news, reviews and posts from all over the internet on the Videoguys blog
We've also updated our "Videoguys' Options for Final Cut Editors" blog article to include the latest and greatest info from Apple, Avid & Adobe.
Matrox has jumped on the crossgrade wagon as well. Now you can save $175 or more when you purchase an MXO2 w/Max with either the Avid crossg
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 WOW! It's been a crazy summer so far and things are just starting to heat up! Apple, Adobe and Avid are creating so much excitement and news in the NLE world.
A couple of weeks later and FCPX continues to frustrate professional editors, while offering exciting new technology and performance to others. You can follow all of the FCPX articles, reviews and discussions from all over the internet on the Videoguys blog
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 The new Fast Forward Video (FFV) sideKick HD is a versatile recording solution designed to ease production workflow and satisfy the demands of both producers and postproduction editors. The camera-mountable sideKick HD captures video directly from HD/SDI or HDMI outputs at bit rates up to 220 Mbit/s, with 4:2:2 sampling and 10-bit resolution in multiple codecs starting with ProRes on removable 2.5" SSD drives. Recording directly to high-quality NLE formats eliminates time-consuming transcoding,
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 Industry blogs and Twitter feeds have been exploding over the past two weeks, as pro editors vent their frustration over features — mostly having to do with import/export functions and other collaborative workflow issues — that have gone missing from Final Cut Pro X, even as Final Cut Pro 7 has been deleted from the Apple catalog. Apple promises that various fixes are in the works, but some users have threatened to switch NLEs entirely rather than wait out the chaos. That means an opportunity fo
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 AJA Video Systems, a leading manufacturer of professional video interface and conversion solutions, today released two new software updates that add support for Adobe CS5.5 to AJA’s Io Express and KONA family of products for both Mac and Windows customers. The software updates, AJA Windows Software 5.5 and AJA Mac Plugins for Adobe 9.0.1 bring added support for Adobe CS5.5 and dramatically improve AJA software performance with the Mercury Playback Engine in Adobe Premiere Pro CS5.5.
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